Tuesday, 4 October 2016

[amdavadis4ever] Colorized Portraits Of New York Immigrants

 


Rare 100-Year-Old Colorized Portraits Of New York Immigrants Reveal Their Incredible Clothing

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#2 Ruthenian Woman, 1906
 


Historically inhabiting the kingdom of the Rus, ranging from parts of modern-day Slavic-speaking countries, this example of Ruthenian traditional dress consisted of a shirt and underskirt made from linen that was embroidered with traditional floral based patterns. The sleeveless jacket is constructed from panels of sheepskin.

 

 

 

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#3 Romanian Piper, 1910

This particular crojoc – an embroidered sleeved sheepskin coat – is much plainer than the shepherd's version, making it a more practical, work-oriented coat, suggesting that the subject is of the working class, given the lack of decoration and the straw hat. The waistcoat, known as a pieptar, is worn by both men and women, and smaller waistcoats were made from lambskin.

 

 

 

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#4 Laplander, 1910
Gákti is the traditional costume of the Sámi people inhabiting the Arctic regions spanning from northern Norway to the Kola peninsula in Russia. Traditionally made from reindeer leather and wool, velvet and silks are also used, with the (typically blue) pullover being supplemented by contrasting coloured banding of plaits, brooches and jewellery. The decorations are region-specific and the gákti is used in ceremonial contexts such as weddings, or signified whether or not one was single or married, but also served a working dress when herding reindeer.

 

 

 

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#5 Romanian Shepherd, 1906

Dominating the photograph is a traditional shepherd's cloak known as sarică, made from three or four sheepskins sewn together with the fleece facing outwards and generally extended to below the knee, which could be used as a pillow when sleeping outdoors. Sheepskin was also used to make the shepherd's cojoc, an embroidered sleeved coat that had tassels, leather strips, and other small decorative elements added. This particular example wasn't likely used for practical purposes given the amount of decoration adorning it.

 

 

 

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#6 Alsace-Lorraine Girl, 1906

Hailing from the Germanic-speaking region of Alsace (now in modern-day France), the large bow, known as a schlupfkàpp, was worn by single women. The bows signified the bearer's religion: black for Protestants, while Catholics favoured bright colours.

 

 

 

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#7 Hindoo Boy, 1911

The topi (a word to denote 'cap') is worn all over the Indian subcontinent with many regional variations and cultural significance, and is especially popular in Muslim communities, where it is known as a taqiyah. Both the cotton khadi and the prayer shawl are most likely handspun on a charkha, and were used all year round.

 

 

 

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#8 Danish Man, 1909

Evolving since the 1750s, the Danish dressed simply, with more decorated attire for special occasions such as weddings or Sunday church. As with many nations before mass industrialisation, much of the clothing was homespun by Danish women or a professional weaver and were usually made from wool and flax, which were warm and relatively easy to acquire. Cuts and patterns were largely regional with a limited palette derived from vegetable dye. Men often wore several shirts underneath their jackets, and the addition of silver buttons on the jacket and other decorative details indicated an individual's wealth and origin.

 

 

 

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#9 Dutch Woman, 1910

The large bonnet, which arguably is one of the most recognisable aspects of Dutch traditional dress, was usually made of white cotton or lace and sometimes had flaps or wings, and often came with a cap. The rest of the costume came in distinctly regional variations, made from cotton, linen, or wool and decorated with embroidered floral patterns. A sleeved bodice covered the top half of the body and came in a dark colour, contrasted by a colourful tunic as seen in this photograph.

 

 

 

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#10 Italian Woman, 1910

This traditional dress was most likely homespun and consisted of a long, wide dress to cover the ankles. Above, a bodice and sleeves were tied in such a way to expose portions of the linen blouse and colours and materials were usually regional. Shawls and veils were also a common feature, and an apron decorated with floral brocades were used for special occasions such as weddings.

 

 

 

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Posted by: Deepak Punjabi <indigoblue2005@yahoo.com>
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